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Her latest, Divers, is DR10, and some of her recordings reach as high as DR11. Retrieved October 10, 2017. Her lyrics are incredibly verbose and intricate, but they're still very well-written and never feel overwrought like many other examples of this trope.

The music was mixed to tape and mastered at. Retrieved January 12, 2008. The album features orchestrations and arrangements by, engineering from and mixing by Drag City label-mate. On August 8, 2017, Samberg's representative confirmed that Newsom and Samberg had become parents to their first child, a daughter. Archived from on January 28, 2016.

The environment, spiritual and physical love are intertwined. The album was also included in the book. But, it might just be the best album of the 21st century to me.

Joanna Newsom - Ys Album - Retrieved July 9, 2017. Underground hero Steve Albini recorded the album in his spare, visceral style.

The biggest tragedy concerning Joanna Newsom's brave, marvelous new album, Ys, would be if everyone sat there listening to it like bored middle-school kids at an amateur Shakespeare production. Newsom's copious, knotty verse is far removed from that of the old poet, but its effect on the crowd is similar: Yes, it's hard to follow without the lyric sheet, it takes a few passes to catch the nuances, and all that drama can seem like something of a history lesson. But while it's sure to suffer accusations of empty self-indulgence from some, many will find the contrary truer: Ys offers an endless wealth of substance, teeming with dense, well-mapped beauty. The song's title characters escape from the farm where they've lived safely all their lives, before one deviously cons the other into performing for frightened children in order to make a living. Listen to the greed the monkey conveys in degrading, insulting, and controlling the bear, and the tight grip he keeps on her dignity so as not to lose her-- which, of course, by the end, he does. Not bad for what starts out like a nursery rhyme. Newsom has said that all five of the songs on this 55-minute album tell true stories. But to find them, you'll wade through lines and lines of fantastic allegories and arcane references. Early listeners have latched onto the folky-druid overtones as an excuse to dismiss the record. What we really can't handle is escapism. We instinctively balk at artists who hunker down in their own worlds-- especially when they force us to guess what they're thinking. Van Dyke Parks' orchestration is polite, never intruding on her performance. And her voice, though less shrieky and childlike than on The Milk-Eyed Mender, is still a tough read. The way she creaks, wavers, and punches the lyrics is expressive but never in an obvious way; rather than just illuminating the lyrics, she's almost sticking another code on top of them. But for all the exquisite melodies, arrangements, and production work, Newsom's lyrics make the performance. She crafts elaborate images but drives them with strong actions, and even the densest tangents keep pulling you along. Every line of the record conveys some want or desire. Her heart's racing, and she doesn't stop it. This isn't a great album because she owns a dog-eared encyclopedia, or because it stands above the cheap rewards or superficial freakiness we expected from her. It's great because Newsom confronts a mountain of conflicting feelings, and sifts through them for every nuance. It's intricate and crammed with information, but it's never bookish, and she never sits back in a spell and lets her heart flutter: She swoops into the sky and races across the ground, names every plant and every desire, and never feels less than real. The people who hear this record will split into two crowds: The ones who think it's silly and precious, and the ones who, once they hear it, won't be able to live without it.